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Simple Math

by Polyphony

supported by
Can This Even Be Called Music?
Can This Even Be Called Music? thumbnail
Can This Even Be Called Music? The only four songs on the record are enthralling and challenging. That alone makes for an outstanding EP that deserves some of your time.
Review: wp.me/p3mIfa-nKK
Derrick Haze Miller
Derrick Haze Miller thumbnail
Derrick Haze Miller Minister Of Falconry is a legendary opener and a legendary polyphony song in general. Favorite track: Minister of Falconry.
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1.
Send the sennex to the scaffold Eyes wide and wan Though he’s barely through the gates I’ll bet his tongue is wet, his brow is drenched Yet he says brimming with glee “I am the gadfly tickling the herd Of the ignorant and uninitiated Let them hear me and be disturbed The truth was never meant for men It is poison to their ears, their minds and spirits Show them what they’re lacking and they’ll want it Be it to their furthering or detriment” Someone gag him, The old man’s voice Brings me naught Save a turning stomach Gods above his words are strong His mood is bright his tone is fearless “Tell me aristoi what’s there to fear? Words are empty without action And all I’ve done is speak my mind If just for that I am condemned Then gladly I’ll wag my tongue in freedom I would rather die than bight the yoke of censorship and vindication. Though in silver you find strength, mine comes from the mandate of the people And only the wealthy can be bought.” Tell me Sophos, have you hope? “Hope is alive where there is discourse, As sparks bring fire, knowledge brings light. This is the life that I have chosen, And if it ends, well then that’s life. You demand cast off my morals and expect that I find sleep? Let’s end now this dull quarrel, I’ll take hemlock Before I submit to you, oh gilded statues of corruption” This man has fluttered his lips enough Let him be bound, may he be silenced Let the ideals die with the man. “You know as I do that’s ne’er occurred, And as I fade so grows my strength. Tomorrow the people will flatten your gates. We know there’s more to life, We know this garden’s growing Soon our ivy will swallow your gods of gold. So now we go our separate ways You to life and I to death, But who amongst us truly has the better lot? Only time and truth may say.”
2.
The artist is poised Sipping its poison At war with its liver still Consumed with ill health Choking on blood clots Knowing that its time is near but hoping to gnaw off a leg The canvas primed The palette waiting to find use in its hands The artist stands not knowing what shape its monument may take But its soul bursts forth Though form unseen Snaked lines of paint Spread like magma over ice Shattering the stigma of imagination And transcending conscious thought As cold light breaks in through the window Breathless it collapses In a heap Arak spilled Taking a last day’s breath of life The hour is growing late Still on its knees the artist is heaving Producing only blood and pus Struggling just to stand This art is useless How can one hope to press on with the end of life encroaching? Fear though dulled by aquae vitae presses the artist on A vision appears Tangible as smoke, but there regardless Now weakly shaking, brush in hand the artist continues Rethinking forms, and speaking dissonant shapes With each stroke of its brush it brings life to its death This art is useless if nothing comes of it All art is useless Tell me someday I will be remembered For more than the hands I shook The people I loved The days I spent seeking the strength to get out of bed The hours in front of screens The dreams I wish I could have lived Or will someday If only, if only I had the strength to press on in the face of fear Hulking and hopeless the artist forces itself through the wall of vines and thorns And all the while forlorn and resigned Feeling the encroaching and pacing night Nipping at its weary ankles Eyes clouded by cataracts There born an unknown form Snaked paint and confused lines Weave Abstracted and fevered visions Holding back tears the artist mourns its life in passing Though in this moment the artist’s harrowed breathing slows Years pass in days Children are born and grow old The product of creation Waiting to be found A heap of bones feet away Unmissed, unmourned The canvas gathering dust Its worth fading with sentiment Though time endears all things And be it treasure or trash Painted with panted gasps That piece was for its maker And those who may simply see it For its shapes and forms Never for the life poured Into its basin Are blind to the beauty Of the moment of birth All art is nothing But death given abstract form
3.
Lost in the sand without wine Nor nectar, nor water to find Here I drop to my knees Desperate, begging for a drink Cursing thirst and the dearth of this earth And the gods in the Sun Casting cold arrows at me The path is lost, the wadi’s drained And the winds are the howls of ifriit Oh how my spirit is stained I’ve wrapped myself in mangled dreams Yet before my eyes grows a glowing sheen A mirage mirroring god It beckons, I crawl Its form dissolves And now alone I feel myself start fading As I’m giving into grief, And a fatal sense of faith I cannot Cease myself from giving into solar flares, erasing my shadow, lapping at my skin, Expunging all my words save for those on the tip of my tongue Water Now as I seethe, as I’m dragged by my knees Through this dothraki sea As I curse knowing Ishmael’s thirst, the profit’s verse The rivers burst and I am Drowning under the sun Wave after wave shredding my layers And doubts, and my cares The death bells calling I hear them in the distance As I pray, singing every third word that I speak Delirious chanting gives into ranting The moment’s lost, all hope is tossed Into drained beds of silica and shale And I find myself impaled by light A four armed form appears salving my skin What is this being? Etheric and glistening As I’m raised up my ankle’s caught sand Pulled from its foothold A sensation I knew but have long since forgotten Flows forth freely, etheric and glistening Water springs forth feeding the earth Now I am drenched by this land My bones aglow, my throat no longer slaked by sand How this oasis is flourished, I settle in my spirit nourished Finally at peace, reborn as a hanif I thank this endless well Zam Zam
4.
Beckmann, this shall surely break you Thoughtless, twisting the knife in the shell Which spat you from the Elba’s listless embrace And found you in Andora Where shingles dropped upon your crown And lowly merchants led you off to Venice The strawberries are over ripe I can’t spit out the seeds And god that child’s smile so enflames me Oh, the Lido is so changed Death waits at the door And all these dreams of Tadzio are torture Hearing as time pounds at the gates In three hours I wake, and shout dusk at the dawn Pan dances with orphaned fawns, Wild and weary, ankles pierced, bound and drawn Caskets will line the Thames Chubby dams burst, wastelands seek to extend As prose speaks in verse its syntax inverts And language gives into birth As I lay hoarry and pale Scipio readies triremes to sail So he leads them off to Zama Like and arrow shot by Rama And Carthage succumbs to the fate of Mastarna Oh the light is but a trick Draußen vor der Tür When will I receive the death I wish for? No, I won’t try Life over-ripe sticks to my lips And the sky starless and grey, Is cringing, and begging To fall in clusters Proud mountains shudder Are ground into gutters Lakes become allergic to water And I bury myself in the arms of the night. Trapped between shadows and streetlights Bone xylophones clatter under the hands of Death bloated and glutinous, God grows weary and impotent In the light, in the light, in the fell fading light I wade out to the heart of the river Begging the Elba to send me to sleep Crying out for any succor Solitude, safety, or the pang of relief At the end of the end of the world All the stars seem clouded diamonds And to breathe’s to swallow smoke Drowning and gasping, chasing the exit of hope Now we are here at the edge of a dream The tranquil mist shrouded surface Of the Starnbergersee of my youth They reflect these years and in their cold arms I find Truth.

credits

released May 13, 2016

Guitars: Cameron Davidson
Vocals: Marshall Davidson
Bass: Ariel Golden
Drums: Justin Wiggins

Minister of Falconry:
Keytar: Marshall

Schoenberg's Six Fingered Violinist:
Saxophone: Cameron
Additional vocals: Cameron, Ariel
Additional drums: Alyx Canellas

Written by Polyphony
Recored, mixed, and mastered by Alyx Canellas
Album art by Ariel Golden
Released by Choke Artist
May 13th, 2016

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